GEAR

I firmly believe the gear a cinematographer uses is not nearly as important as how that gear is used.  But I also believe it’s important to have a set of tools that is ready for any shoot.  The truth is, we cinematographers are gear junkies.  So we tend to talk about our gear as if it’s part of our family.  It kinda is.

Here are some of the tools I own and use to help tell visual stories.

Red Komodo Super35 6k camera
Arri Amira Super35 4k camera
Sony FX9 Full-Frame 4k camera
Z-Cam E2 Full-Frame 6k compact camera

CAMERAS

Arri Amira 4k cine

Red Komodo 6k cine

Sony FX9 Full-Frame 4k

Z-Cam E2 Full-Frame 6k compact

Two matching Sony FS7 4k cameras

Chronos 2.4 high-speed slow-motion camera

Sigma FP full-frame ultra compact camera

Canon 5Dii

GoPros and mounts

LENSES

Angenieux EZ1 and EZ2 cine zooms

Catta Ace FF T2.9 cine zooms: 18-35, 35-80, 70-135mm

DZO Pictor s35 cine zooms: 12-20, 20-55, 50-125mm

Xeen FF T1.5 cine primes: 16, 24, 35, 50, 85, 135mm

Vazen FF T2.8 Anamorphic primes: 50, 85, 135mm

Laowa FF T8 24mm 90-degree Probe

CAMERA ACCESSORIES & SUPPORT

Oconnor & Sachtler fluid heads/tripods

SevenJib mini jib

Matthews Doorway dolly w/track

Dana Dolly w/track & motion control

Ronin gimbals

EZ-Rig handheld support

Vehicle hood mount

4k Mars wireless video transmission system

Tilta Nucleus wireless follow focus system

19″ Hi-Brite Studio Monitors w/LUT support

LIGHTING & GRIP

5x Aputure Nova 300 & 600w LED RGB skypanels

Arri M18 HMI

Arri 1.2k HMI

2x Source Four 575w HMIs

6x LiteMat LED softlight kit

8x Aputure 60w, 120w, 600w LED fresnels

4x LED RGB tube lights

Soft boxes and lanterns

12×12 and 6×6 frames with rags/silks

3x Menace arms

C-Stands, hi-rollers, baby stands, combo stands

Flag kit, stingers, sandbags